With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp’d, break from the trees
Although no frost occasioned the fall of this November leaf at Brazos Bend State Park, it seemed a fitting illustration for Adelaide Crapsey’s cinquain titled “November Night.”
Invented by Crapsey (1878–1914), her cinquain form relies on traditions seen in Japanese tanka and haiku, including compressed language and formal structure. The five unrhymed lines of a cinquain follow strict requirements; they consist of two, four, six, eight, and two syllables. In addition, Crapsey sought to create the sort of unexpected “break,” or juxtaposition of thoughts, typical of haiku.
Perhaps like Etheree Taylor Armstrong, who invented the poetic form known as the etheree, Crapsey was as interested in the technical problems of her form as in the poetic sentiments they included. As a reviewer in The Independent noted:
To her genuine poetic ability Miss Crapsey added a considerable technical knowledge of metrics. In the verse form which she invented and called the cinquain she has done some of her best work—clear cut ideas sharply focused: single impressions etched in a few significant lines.