Had I seen this image with no explanation and no more context than its leafy background, I suspect I might have found identification difficult, even though I’ve encountered the object in the past under quite different conditions.
But seen from a longer perspective, with its shadow reflected on its well-buffed surface, it would have been unmistakable. Once you’ve seen the trunk of this magnificent tree, you don’t forget it.
The shadow cast across the lawn near the entrance to Crystal Bridges Museum of American Art was produced by this Roxy Paine sculpture titled Yield. I saw it first in autumn: shadowless, stark against a gray sky, and surrounded by nearly leafless trees.
During my recent visit, it seemed warmer, and more welcoming. The greening grass reflected in its highly polished surface made it seem as though Paine’s tree had itself taken root, and soon would leaf out.
It won’t, of course, but that hardly matters. Shimmering in the early summer sunlight, it stands as a reminder that second, third, or even tenth looks at any piece of art can be as rewarding — and as surprising — as the first.
Comments always are welcome.
